When some rare northern bird like the pine grosbeak is seen thus far south in the winter, he does not suggest poverty, but dazzles us with his beauty. There is in them a warmth akin to the warmth that melts the icicle. Think of these brilliant, warm-colored, and richly warbling birds, birds of paradise, dainty-footed, downy-clad, in the midst of a New England, a Canadian winter. The woods and fields, now somewhat solitary, being deserted by their more tender summer residents, are now frequented by these rich but delicately tinted and hardy northern immigrants of the air. Here is no imperfection to be suggested. The winter, with its snow and ice, is not an evil to be corrected. It is as it was designed and made to be, for the artist has had leisure to add beauty to use. My acquaintances, angels from the north. I had a vision thus prospectively of these birds as I stood in the swamps. I saw this familiar—too familiar—fact at a different angle, and I was charmed and haunted by it. But I could only attain to be thrilled and enchanted, as by the sound of a strain of music dying away. I had seen into paradisaic regions, with the air and sky, and I was no longer wholly or merely a denizen of this vulgar earth. Yet had I hardly a foothold there. I was only sure that I was charmed, and no mistake. It was only necessary to behold thus the least fact or phenomenon, however familiar, from a hair’s breadth aside from our habitual path or routine, to be overcome, enchanted by its beauty and significance. Only what we have touched and worn is trivial,—our scurf, repetition, tradition, conformity. To perceive freshly, with fresh senses, is to be inspired. Great winter itself looked like a precious gem, reflecting rainbow colors from one angle.